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Voice Method Book, By Ronny Lee renowned writer, teacher, session recording artist. THE SINGER'S GUIDE TO BREATHING Perhaps one of the most frequently circulated
vocal myths is that there is some special
manner in which the singer is to breathe.
Nothing could be further from the truth.
By breathing naturally when we speak, we allow
the breathing process to take care of itself.
If we attempt to control our breathing when
speaking, like inhaling at the beginning of each
sentence, the act of breathing would pose
numerous problems. These problems are
eliminated merely by letting our body and
subconscious mind take care of the breathing for
us.
The inhalation of breath while singing is to be
accomplished in the same manner as when
sleeping. During the intake of air the abdomen
should expand. There should be little if any
motion of the upper chest during inhalation.
When singing, breath should be taken in
through the mouth because it is faster and
easier. At times, breath may be taken in through
the nose when it feels more natural to inhale in
this manner. Other than breathing through
the mouth, breathing when singing is to be
treated the same as breathing when speaking.
Then it will never pose a problem.
The less the singer concentrates on specific
muscular actions when breathing, the less
distracted he/she will be. Most of the great
singing teachers claim that one need not be
familiar with the numerous muscles and tendons
involved with playing the violin in order to
become an accomplished violinist.
Charles Santley was the greatest British
baritone of his day and a student of Manuel
Garcia,
a singing teacher and vocal expert of
supereminent reputation. In a reference to Manuel
Garcia, Santley wrote in his book (The Art Of
Singing), "I have never heard him say a word
about larynx, or pharynx, glottis, or other
organ in the production and emission of the
voice. He taught singing not surgery."
Portions of the download appearing above were
excerpted from Ronny Lee's Learn To Sing
Step By Step.
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Copyright Ronny Lee Publications 2007, All rights reserved. No reproduction allowed without written consent.